Alla CARIANIs Oljemålningar
ID Bilder  Oljemålningar Från A till Z     Information
98207  
CARIANI, Countryside concert
  		Countryside concert circa 1517(1517) Medium oil on canvas Dimensions 88 x 163 cm cyf
30976  
CARIANI, Portrait de deux jeunes gentilhommes venitiens
  		Portrait de deux jeunes gentilhommes venitiens mk70 Toile H.0.44 L.0.63 Paris,Musee du Louvre
43051  
CARIANI, Portrait of Francesco Albani
  		Portrait of Francesco Albani mk170 circa 1520 Oil on canvas 108.6x83.2cm
20201  
CARIANI, Portrait of Two Young Men (mk05)
  		Portrait of Two Young Men (mk05) Canvas,17 1/2 x 25''(45 x 63 cm).From the collections of Charles Iand Louis XIV;entered the Louvre before 1683
5821  
CARIANI, Portrait of Two Young Men fd
  		Portrait of Two Young Men fd Oil on canvas Mus??e du Louvre, Paris
5822  
CARIANI, Reclining Woman in a Landscape fd
  		Reclining Woman in a Landscape fd 1520-24 Oil on canvas, 74 x 94 cm Staatliche Museen, Berlin
51195  
CARIANI, Sacred Conversation
  		Sacred Conversation 1524-30 Oil on canvas, 168 x 164 cm
5824  
CARIANI, St Sebastian between St Roch and St Margaret kkj
  		St Sebastian between St Roch and St Margaret kkj Oil on canvas Mus??e des Beaux-Arts, Marseille
45559  
CARIANI, The old of Artimino
  		The old of Artimino mk186 1648-51 Florez, Galleria Palatina
95741  
CARIANI, Virgin Enthroned with Angels and Saints
  		Virgin Enthroned with Angels and Saints first half of 16th century Medium oil on canvas cyf
CARIANI
Italian Painter, ca.1490-1547 was an Italian painter of the high-Renaissance, active in Venice and the Venetian mainland, including Bergamo, thought to be his native city. His father, also Giovanni Busi, was born in Fuipiano Valle Imagna and was appointed a local magistrate for the Venetian authorities. His son, probably born in Bergamo, is known to have lived in Venice starting in 1509, and may have trained with either Giovanni Bellini or Giorgione, and almost certainly was influenced by them. Though he worked often in Bergamo, he died in Venice in 1547. He was strongly influenced by Palma il Vecchio, but had a provincial love of scenery as seen in his Sacra conversazione with a youthful donor. While working in Bergamo (1517-1523),



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